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๐๐„๐˜๐‘๐ˆ๐™ ๐–๐„๐ƒ๐ƒ๐ˆ๐๐† ๐๐€๐‘๐“๐˜

  • Number D0043

  • Type Caucasian

  • Origin Shahsavan

  • Material Wool

  • Style Prayer Rug

  • Size 181 x 127

  • Age 1336 (1918)

Story

There's a lot going. And it's all fun.
The field in essence has a ๐™•๐™ž๐™ก๐™ก๐™ž ๐™Ž๐™ช๐™ก๐™ฉ๐™–๐™ฃ theme with its staggered rows of flowering vases. This was a royal Qajar style that quickly became a marker of class and elegance. However, and most unusually, we see clearly defined figural representations all around.

In the middle there is a young bride escorted by two gentlemen whom we assume to be her brothers, given they are equally young and similar in dress and facial features. The conclusion is that this is a dowry rug, commissioned for the happy occasion of her wedding. Alongside this grouping of three figures are two pairs of lions ๐Ÿฆ , four in total, placed there for protection. The use of a Lion by nomadic weavers was never by chance because it remains one their most symbolic motifs. Above and below the lions, we see 4 ladies in waiting. Their dress code and general comportment, with raised hands, suggest they are of a lower social standing than the relatively princelier bride in the middle.

At the top we have an inscription saying ๐™๐™–๐™ง๐™ข๐™–๐™ฎ๐™š๐™จ๐™ ๐™Ž๐™–๐™ฎ๐™ฎ๐™š๐™™ 333: commissioned by the Sayyed 333. The title indicates a direct descendant of the Prophet Muhammad, a holy bloodline held in very high regard by tribes folk. His first name is not indicated but numerologically is equivalent to 333. He must be most likely the father of the bride, the Steve Martin of southern Persia. We also see a date, 1333 Hijri, right at the end of the First World War.

All in all, a unique work of Islamic Art and ethnographic folk art. This should be in a museum.

Perfectly preserved. End kilim with lovingly tasseled and braided fringes.

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I have been buying and collecting oriental rugs for over 40 years. As a result I have had direct experiences with many dealers and galleries throughout Europe, North America, the Middle East and Asia. The Hadi Maktabi establishment is distinct and unique. It is rare to find a dealer who not only has a discerning taste and excellent choice of rugs. But with Hadi, the experience is one of an erudite oriental rug scholar paired with years of family experiences and traditions dealing in rugs, carpets and textiles. The available choices, diversity and quality of his stock is awesome. It is always a pleasure. Highly recommended and satisfying. As a collector he has become not only a partner of choice, knowledge and information but also a valued friend. Robert Bell, CEO Royal Brompton & Harefield NHS Foundation Trust, U.K. ๐Ÿ‡ฌ๐Ÿ‡ง

 

 

Acquiring a piece from my dear friend Hadi is truly a journey. We start that journey with a lesson and detailed background on any piece that is of interest. After a thorough discussion regarding the chosen piece or should I say marvel, since Hadi's pieces are truly marvels, Hadi guides us into why he would advise us to acquire it or go for another of his marvels that would suit us more than the one initially chosen. This sincere advice always makes us feel that we are generously taken care of by Hadi. The learning process and honesty in guidance make us go back only to Hadi whenever we are looking for our next beautiful piece for our homes. All I can say is thank you Hadi for your impeccable guidance and service. Abdullah Al-Awadhi, Kuwait ๐Ÿ‡ฐ๐Ÿ‡ผ

 

I must say this one of the most enriching carpet purchase experiences I ever had. This was not a mere transaction but more an experience about art and history. Dr Maktabi's experience and knowledge in this space is second to none. Highly recommended! R.A., Doha, Qatar

 

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