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Shahsavan Mafrash Bedding Bag

Shahsavan Mafrash Bedding Bag

  • Number 44HH3

  • Type Caucasian

  • Origin Shahsavan

  • Material Wool

  • Style Geometric

  • Size 93 x 55 x 55

  • Age 1850

Story

An excellent example of nomadic art from the mid 1800s. This is a complete and intact bedding bag (called 𝘮𝘢𝘧𝘳𝘢𝘴𝘩) which would be placed with the central section on the ground within a tent, and tied alongside each side of a horse, donkey or camel during migration. Its purpose was to store the various bedding items of a nomadic household: pillows, mattresses, covers etc. It is quite rare to find 𝘮𝘢𝘧𝘳𝘢𝘴𝘩 bags in such perfect condition and usually they appear in disjointed fragments. They are excellent examples fo functional weaving art.

This attractive example is radiant with its gorgeous natural dyes. Woven in sumakh technique (all in one piece on one loom at one time) with very fine wool, it is the finest example I have seen. The original lappet locking mechanism survives.

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To me personally there is no surprise, event or frankly anything that gets me more excited than the purchase of a treasured piece of understated artwork such as that of a proper vintage/antique carpet. The sourcing, grading and authentication of these pieces is no small task but is of the highest importance. Through the respected dealer Hadi Maktabi all that is guaranteed, and rest assured the one thing I can guarantee personally as a client is a first class service from the initial selection process till it gets delivered right to your door step. It was an undeniably special experience, with hundreds of carpets to choose from, will definitely be visiting again. Thank you dear Hadi. Habeeb Al Monawer, Kuwait 🇰🇼

 

 

I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia 🇱🇻

 

J’ai fait la connaissance de Hadi lors de la préparation de l’exposition « L’Empire des roses, chefs-d’œuvre de l’art persan du 19ème siècle » qui a eu lieu au Louvre-Lens en 2018 et à laquelle il a participé par le prêt de tapis exceptionnels. J’avais alors été impressionnée par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marqué le début d’une collaboration riche et fructueuse. Elle a notamment permis au musée du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur équivalent dans les musées occidentaux. Ce que j’apprécie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son métier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France 🇫🇷

 

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