Number 774
Origin Shahsavan
Material Wool
Style Geometric
Type Tribal
Size 100 x 44 x 44
Age 1870
An excellent example of nomadic art from the mid 1800s. This is a complete and intact bedding bag (called 𝘮𝘢𝘧𝘳𝘢𝘴𝘩) which would be placed with the central section on the ground within a tent, and tied alongside each side of a horse, donkey or camel during migration. Its purpose was to store the various bedding items of a nomadic household: pillows, mattresses, covers etc. It is quite rare to find 𝘮𝘢𝘧𝘳𝘢𝘴𝘩 bags in such perfect condition and usually they appear in disjointed fragments. They are excellent examples fo functional weaving art.
This attractive example is radiant with its gorgeous natural dyes. Woven in sumakh technique (all in one piece on one loom at one time) with the central section in kilim.
You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon 🇱🇧
J’ai fait la connaissance de Hadi lors de la préparation de l’exposition « L’Empire des roses, chefs-d’œuvre de l’art persan du 19ème siècle » qui a eu lieu au Louvre-Lens en 2018 et à laquelle il a participé par le prêt de tapis exceptionnels. J’avais alors été impressionnée par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marqué le début d’une collaboration riche et fructueuse. Elle a notamment permis au musée du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur équivalent dans les musées occidentaux. Ce que j’apprécie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son métier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France 🇫🇷
The idea of purchasing valuable rugs and other artwork online from an overseas seller is daunting for several reasons, not least of which is the fact that, not being able to examine and feel the rug for yourself, you are never entirely certain that the origin, age or condition of the rug corresponds with the dealer’s description. For me, I could never take this step unless I had absolute trust in the integrity of the dealer, and my recent experience with Hadi confirms that my faith in him was well placed. Every detail of the antique rug expertly explained by Hadi was accurate and when I finally received the actual rug, it turned out to be even more stunning than his photos depicted. F. Alsagoff, Singapore