Number 442
Type Village
Material Wool
Style Medallion
Origin Farahan
Size 205 x 119
Age 1860
Prior to the Ziegler led Revival of the 1870s, Farahan was one of the foremost weaving centers in Persia. Leading Qajar dignitaries set up private workshops as side businesses and tapping into the area's superb wool and the locals' natural flair with weaving. This masterpiece in the soon-to-be baptized Zilli Sultan style is an awesome exemplar of that.
Saffron dyed with a remarkable central axis leaving the sides of the field quite vacuous in a most charming way. The border is another tour de force with its sequence of delicately drawn flowering vases. This style was to be termed Zilli Sultan as of the 1880s. Observe the row of tiny booths hugging the border from the edge of the field and wonder at the level of attention, dedication and skill needed to create the two pyramids of color either side of the medallion. This artwork is one of those that makes me proudest to own and is almost impossible to replace.
Perfect condition. Museum quality. For further info see 𝐓𝐡𝐞 𝐏𝐞𝐫𝐬𝐢𝐚𝐧 𝐂𝐚𝐫𝐩𝐞𝐭: 𝐓𝐡𝐞 𝐅𝐨𝐫𝐠𝐨𝐭𝐭𝐞𝐧 𝐘𝐞𝐚𝐫𝐬 𝟏𝟕𝟐𝟐-𝟏𝟖𝟕𝟐.
“You don’t just buy a rug from Dr Maktabi... It’s an experience, a rich one! You learn about history, culture & art. And more importantly you feel euphoric!” Dr Siamak Abolhassani, Expert Medical Care Clinics, Victoria, Australia 🇦🇺
J’ai fait la connaissance de Hadi lors de la préparation de l’exposition « L’Empire des roses, chefs-d’œuvre de l’art persan du 19ème siècle » qui a eu lieu au Louvre-Lens en 2018 et à laquelle il a participé par le prêt de tapis exceptionnels. J’avais alors été impressionnée par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marqué le début d’une collaboration riche et fructueuse. Elle a notamment permis au musée du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur équivalent dans les musées occidentaux. Ce que j’apprécie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son métier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France 🇫🇷
You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon 🇱🇧
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