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π‘π¨π²πšπ₯ 𝐐𝐚𝐣𝐚𝐫 𝐊𝐞𝐫𝐦𝐚𝐧: π“π‘πž π‹πžπ πžπ§π 𝐨𝐟 π’π’πšπ―πšπ¬π‘ πŸ‡

π‘π¨π²πšπ₯ 𝐐𝐚𝐣𝐚𝐫 𝐊𝐞𝐫𝐦𝐚𝐧: π“π‘πž π‹πžπ πžπ§π 𝐨𝐟 π’π’πšπ―πšπ¬π‘ πŸ‡

  • Number HA846

  • Type Workshop

  • Material Wool

  • Style Pictorial

  • Origin Kerman

  • Size 268 x 174

  • Age 1850

Story

This exceptional pictorial artwork dates from the first half of the 19th century. It is a staggering feat of Persian art: scenes of heroism and valor from Ferdowsi’s 1,000 year old epic poem π™Žπ™π™–π™π™£π™–π™’π™šπ™ brought to life in Persian painting in the style of the royal court of Fath Ali Shah Qajar (1797–1834) and then recreated by a Kermani master weaver.

The whole composition is one lengthy and entire story of the royal sport of princes and kings: π˜Ύπ™π™€π™œπ™–π™£. Or, as we know it nowadays, Polo. Dozens of royal princes and courtiers engage in this game on horseback in the great outdoors. They are mostly wearing Qajar royal robes as was common in court painting in FAS’s reign. Apart from the Sassanid Shahanshah at the top right πŸ‘‘

It’s likely to be the oldest Polo carpet in history, adding to its significance. A lot of action unfolds in the borders: a very long band of calligraphy all around the main field recounts the exploits of Siavash. These are verses directly culled from the Shahnameh, very elegantly inwoven and inscribed in fine π™£π™–π™¨π™©π™–π™‘π™žπ™¦ script.

The outer border is flabbergasting and exhilarating in different ways. A whole menagerie of wild and exotic animals maraud around the 4 edges. It’s the first and only instance I’ve seen of a gorilla 🦍 on an antique carpet.

So much more to add but that’s already too much to digest. A historical masterpiece for all time. Unparalleled storytelling, unequalled beauty, unrivalled creativity and finesse. The braided fringes will tell you how finely woven this is, while the natural dyes speak for themselves. The oxidised browns and beiges indicate the almost 200 years that have passed!

AVAILABLE to museums & private collections, please email or DM.

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I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia πŸ‡±πŸ‡»

 

 

β€œYou don’t just buy a rug from Dr Maktabi... It’s an experience, a rich one! You learn about history, culture & art. And more importantly you feel euphoric!” Dr Siamak Abolhassani, Expert Medical Care Clinics, Victoria, Australia πŸ‡¦πŸ‡Ί

 

J’ai fait la connaissance de Hadi lors de la prΓ©paration de l’exposition Β« L’Empire des roses, chefs-d’œuvre de l’art persan du 19Γ¨me siΓ¨cle Β» qui a eu lieu au Louvre-Lens en 2018 et Γ  laquelle il a participΓ© par le prΓͺt de tapis exceptionnels. J’avais alors Γ©tΓ© impressionnΓ©e par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquΓ© le dΓ©but d’une collaboration riche et fructueuse. Elle a notamment permis au musΓ©e du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur Γ©quivalent dans les musΓ©es occidentaux. Ce que j’apprΓ©cie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son mΓ©tier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France πŸ‡«πŸ‡·

 

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