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๐—œ๐—บ๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น ๐—ข๐˜๐˜๐—ผ๐—บ๐—ฎ๐—ป ๐—ฃ๐˜‚๐—ฟ๐—ฒ ๐—ฆ๐—ถ๐—น๐—ธ ๐—›๐—ฒ๐—ฟ๐—ฒ๐—ธ๐—ฒ

๐—œ๐—บ๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น ๐—ข๐˜๐˜๐—ผ๐—บ๐—ฎ๐—ป ๐—ฃ๐˜‚๐—ฟ๐—ฒ ๐—ฆ๐—ถ๐—น๐—ธ ๐—›๐—ฒ๐—ฟ๐—ฒ๐—ธ๐—ฒ

  • Number HA874

  • Material Silk

  • Style Flowery

  • Type Anatolian

  • Origin Anatolian

  • Size Dated 1900

  • Age 194 x 125

Story

๐—”๐—ป ๐—œ๐—บ๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น ๐—ข๐˜๐˜๐—ผ๐—บ๐—ฎ๐—ป ๐—ฃ๐˜‚๐—ฟ๐—ฒ ๐—ฆ๐—ถ๐—น๐—ธ ๐—›๐—ฒ๐—ฟ๐—ฒ๐—ธ๐—ฒ ๐—ฐ๐—ผ๐—บ๐—บ๐—ถ๐˜€๐˜€๐—ถ๐—ผ๐—ป๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐˜๐—ต๐—ฒ ๐—ฆ๐˜‚๐—น๐˜๐—ฎ๐—ป ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐Ÿญ๐Ÿต๐Ÿฌ๐Ÿฌ ๐—ฃ๐—ฎ๐—ฟ๐—ถ๐˜€ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—˜๐˜…๐—ต๐—ถ๐—ฏ๐—ถ๐˜๐—ถ๐—ผ๐—ป, ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐˜„๐—ผ๐˜ƒ๐—ฒ๐—ป ๐—ฏ๐˜† ๐˜๐—ต๐—ฒ ๐—ฟ๐—ผ๐˜†๐—ฎ๐—น ๐—ฐ๐—ฎ๐—ฟ๐—ฝ๐—ฒ๐˜ ๐—ณ๐—ฎ๐—ฐ๐˜๐—ผ๐—ฟ๐˜† ๐—ถ๐—ป ๐—›๐—ฒ๐—ฟ๐—ฒ๐—ธ๐—ฒ.

Museum quality historical masterpiece with provenance and history inscribed in the formidable signature cartouche. One of a half dozen in different designs commissioned in the 1890s by Sultan Abdul Hamid IIโ€™s government for the Ottoman Pavilion at the landmark Paris World Expo. A comparable prayer rug from the same exclusive royal order was formerly in the collection of the Ottoman businessman Calouste Gulbenkian and currently is on display at the Gulbenkian Museum in Lisbon.

This is the first of the 6 to become available on the market for way over a century. Took me 4 years to finally acquire this 125 year old turquoise belle. When it was made the USA ๐Ÿ‡บ๐Ÿ‡ธ was only 124 years old and Istanbul was still officially called Constantinople.


Further details to follow; meanwhile, enquiries are welcome from private collections, museums and public institutions. Authenticated and certified.

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I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia ๐Ÿ‡ฑ๐Ÿ‡ป

 

 

You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon ๐Ÿ‡ฑ๐Ÿ‡ง

 

As a carpet collector of 30 years, I have noticed a decline in the amount of truly unique and high quality carpets on the market. I have also noted a decline in the knowledge of merchants, generally. Hadi Maktabi stands against this trend as a both a curator for and an educator of his clients. His offerings are well-researched, museum quality carpets that are both singular and expertly chosen. In dealing with Hadi, I have experienced excellent communication, a high standard of service and extremely pleasant interactions. Warren D., Hong Kong ๐Ÿ‡ญ๐Ÿ‡ฐ

 

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