Number pon32
Type Workshop
Origin Isfahan
Material Wool
Style Tree
Size 213 x 163
Age 1128
Define a museum piece. This is one of only 4 known Safavid Garden Carpets topped with a mihrab niche making them prayer rugs in turn. Two have been published in 20th century literature but their whereabouts are unknown. The fourth is in the collection of the Imam Reza Shrine in Mashhad. Quite a pedigree. The carpet has an uncommon earthy toned complexion and its field is divided into four roughly equal areas by two bisecting channels of water running perpendicularly and meeting at a basin. Fish swim through the water while an assortment of peacocks, hoopoes and lovebirds perch on the trees. The influence of Safavid miniature painting, namely the Isfahan school associated with Shah Abbas II and Shah Sulayman is evident. It is dated 1128 equivalent to 1716, thereby making this the last dated Safavid carpet we know of. And the only yellow one.
To me personally there is no surprise, event or frankly anything that gets me more excited than the purchase of a treasured piece of understated artwork such as that of a proper vintage/antique carpet. The sourcing, grading and authentication of these pieces is no small task but is of the highest importance. Through the respected dealer Hadi Maktabi all that is guaranteed, and rest assured the one thing I can guarantee personally as a client is a first class service from the initial selection process till it gets delivered right to your door step. It was an undeniably special experience, with hundreds of carpets to choose from, will definitely be visiting again. Thank you dear Hadi. Habeeb Al Monawer, Kuwait 🇰🇼
I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia 🇱🇻
J’ai fait la connaissance de Hadi lors de la préparation de l’exposition « L’Empire des roses, chefs-d’œuvre de l’art persan du 19ème siècle » qui a eu lieu au Louvre-Lens en 2018 et à laquelle il a participé par le prêt de tapis exceptionnels. J’avais alors été impressionnée par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marqué le début d’une collaboration riche et fructueuse. Elle a notamment permis au musée du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur équivalent dans les musées occidentaux. Ce que j’apprécie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son métier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France 🇫🇷
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