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๐Ž๐ญ๐ญ๐จ๐ฆ๐š๐ง ๐’๐ข๐ฅ๐ค ๐’๐ฎ๐Ÿ๐ข ๐‚๐š๐ฅ๐ฅ๐ข๐ ๐ซ๐š๐ฉ๐ก๐ข๐œ ๐‚๐š๐ซ๐ฉ๐ž๐ญ

๐Ž๐ญ๐ญ๐จ๐ฆ๐š๐ง ๐’๐ข๐ฅ๐ค ๐’๐ฎ๐Ÿ๐ข ๐‚๐š๐ฅ๐ฅ๐ข๐ ๐ซ๐š๐ฉ๐ก๐ข๐œ ๐‚๐š๐ซ๐ฉ๐ž๐ญ

  • Number 923AH

  • Material Silk

  • Style Prayer Rug

  • Type Anatolian

  • Origin Anatolian

  • Size 128 x 181

  • Age 1875

Story

ุจุณู… ุงู„ู„ู‡ ุงู„ุฑุญู…ู† ุงู„ุฑุญูŠู…
ู†ุตุฑูŒ ู…ู† ุงู„ู„ู‡ ูˆ ูุชุญูŒ ู‚ุฑูŠุจ
ุตุฏู‚ ุงู„ู„ู‡ ุงู„ุนุธูŠู…

๐˜ผ๐™ฉ๐™ฉ๐™ง๐™ž๐™—๐™ช๐™ฉ๐™–๐™—๐™ก๐™š ๐™ฉ๐™ค ๐™ฉ๐™๐™š ๐˜ฝ๐™š๐™ ๐™ฉ๐™–๐™จ๐™๐™ž ๐™Ž๐™ช๐™›๐™ž ๐™Š๐™ง๐™™๐™š๐™ง
๐™’๐™ค๐™ซ๐™š๐™ฃ ๐™ž๐™ฃ ๐™ฌ๐™š๐™จ๐™ฉ๐™š๐™ง๐™ฃ ๐˜ผ๐™ฃ๐™–๐™ฉ๐™ค๐™ก๐™ž๐™–
๐™‹๐™š๐™ง๐™›๐™š๐™˜๐™ฉ ๐™˜๐™ค๐™ฃ๐™™๐™ž๐™ฉ๐™ž๐™ค๐™ฃ
๐™“๐™„๐™“ ๐˜พ๐™š๐™ฃ๐™ฉ๐™ช๐™ง๐™ฎ

The Bektashis were the most widespread, influential and powerful of the Sufi brotherhoods that permeated the Ottoman Empire. They are known for their popularity among the military elite and especially in the fearsome, ferocious Janissary Corps of the Ottoman Army. The choice of this particular Aya ุขูŠุฉ from the Holy #Quran (ุณูˆุฑุฉ ุงู„ุตู Surah 61, verse 13) corroborates this.

The carpet consists essentially of a lengthy calligraphy scroll on multiple rows, with evident veneration of the Holy Names of Allah ุงู„ู„ู‡ ุฌู„ู‘ ุฌู„ุงู„ู‡ and the Prophet Muhammad in particular. Further symbolic motifs attest to Bektashi provenance, such as the recurrence of ู‡ูˆ โ€œHeโ€ referring to the Almighty and the geometric shapes.

It miraculously survives intact as a very vibrant masterpiece of Islamic Art and as an emblem of pure luxury in pure silk. The quality of weave is reflected in the lovingly braided fringes and end kilims.

The purplish tone and dichromatic ornament (brick red and golden beige) for the calligraphy and ornament are eye catching. My favourite element is how the religious verse in the central row is framed by a band of crescent ๐ŸŒ™ and star โญ shapes. The ๐™ฉ๐™๐™ช๐™ก๐™ช๐™ฉ๐™ script is gorgeous.

For enquiries gallery@hadimaktabi.com

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As a carpet collector of 30 years, I have noticed a decline in the amount of truly unique and high quality carpets on the market. I have also noted a decline in the knowledge of merchants, generally. Hadi Maktabi stands against this trend as a both a curator for and an educator of his clients. His offerings are well-researched, museum quality carpets that are both singular and expertly chosen. In dealing with Hadi, I have experienced excellent communication, a high standard of service and extremely pleasant interactions. Warren D., Hong Kong ๐Ÿ‡ญ๐Ÿ‡ฐ

 

 

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Jโ€™ai fait la connaissance de Hadi lors de la prรฉparation de lโ€™exposition ยซ Lโ€™Empire des roses, chefs-dโ€™ล“uvre de lโ€™art persan du 19รจme siรจcle ยป qui a eu lieu au Louvre-Lens en 2018 et ร  laquelle il a participรฉ par le prรชt de tapis exceptionnels. Jโ€™avais alors รฉtรฉ impressionnรฉe par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquรฉ le dรฉbut dโ€™une collaboration riche et fructueuse. Elle a notamment permis au musรฉe du quai Branly-Jacques Chirac de voir ses collections iraniennes sโ€™enrichir de plusieurs tapis et tentures dont certains nโ€™ont pas leur รฉquivalent dans les musรฉes occidentaux. Ce que jโ€™apprรฉcie chez Hadi ? Cโ€™est son professionnalisme, son dynamisme et lโ€™engouement quโ€™il a pour son mรฉtier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France ๐Ÿ‡ซ๐Ÿ‡ท

 

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