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π‘πŽπ˜π€π‹ 𝐐𝐀𝐉𝐀𝐑 𝐓𝐄𝐇𝐑𝐀𝐍 π†πŽπ‹ 𝐅𝐀𝐑𝐀𝐍𝐆

π‘πŽπ˜π€π‹ 𝐐𝐀𝐉𝐀𝐑 𝐓𝐄𝐇𝐑𝐀𝐍 π†πŽπ‹ 𝐅𝐀𝐑𝐀𝐍𝐆

  • Number 24425

  • Type Workshop

  • Style Flowery

  • Material Wool & Silk

  • Origin Tehran

  • Size 523 x 302

  • Age 1885

Story

This is one of the most beautiful, exhilarating and ambitious Tehran carpets I have seen. It is one of 3 I have encountered with this sweet 𝙂𝙀𝙑 π™π™–π™§π™–π™£π™œ pattern executed on a finely woven ivory crΓ¨me field. (You can find another, half the size here 𝚠𝚠𝚠.πš‘πšŠπšπš’πš–πšŠπš”πšπšŠπš‹πš’.πšŒπš˜πš–/πšŒπšŠπš›πš™πšŽπš/𝟷𝟿𝟼.)

This pattern, in its famous and well-known form, developed in Russian Karabagh, across the Araxes River from Persia, under imperial Romanov auspices. (You can find one of the oldest or earliest of this type here: 𝚠𝚠𝚠.πš‘πšŠπšπš’πš–πšŠπš”πšπšŠπš‹πš’.πšŒπš˜πš–/πšŒπšŠπš›πš™πšŽπš/𝟻𝟢𝟸.) The Karabagh prototypes were woven for the Russian court and aristocracy in St Petersburg and were modeled on Imperial French textiles and weavings (e.g. Aubusson carpets) from the period of Napoleon III. Their royal and sumptuary links caused the Romanov and then the Qajar dynasties to both in turn adopt this design as their own. The Karabagh antecedents were all woven on dark blue or brown backgrounds: the Tehran variants (the 3 being discussed here) stand out for their white fields. Cream toned Tehran rugs are very rare, as are any Persian rugs of the 19th century of any type whatsoever.

The ivory ground here offers a very sweet and tender backdrop to the curling vines and rising ivy, with all geraniums and roses executed in pink, red and white silk highlights. The effect is both sublime and magnificent. It feels truly royal. Please note this carpet was not made for commercial usage but for a Qajar palace or residence. It is extremely rare not only for its colors and design but also for its scale. The gigantic dimensions make the viewer or guest really feel they are within a private, secret garden.

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I have been buying and collecting oriental rugs for over 40 years. As a result I have had direct experiences with many dealers and galleries throughout Europe, North America, the Middle East and Asia. The Hadi Maktabi establishment is distinct and unique. It is rare to find a dealer who not only has a discerning taste and excellent choice of rugs. But with Hadi, the experience is one of an erudite oriental rug scholar paired with years of family experiences and traditions dealing in rugs, carpets and textiles. The available choices, diversity and quality of his stock is awesome. It is always a pleasure. Highly recommended and satisfying. As a collector he has become not only a partner of choice, knowledge and information but also a valued friend. Robert Bell, CEO Royal Brompton & Harefield NHS Foundation Trust, U.K. πŸ‡¬πŸ‡§

 

 

J’ai fait la connaissance de Hadi lors de la prΓ©paration de l’exposition Β« L’Empire des roses, chefs-d’œuvre de l’art persan du 19Γ¨me siΓ¨cle Β» qui a eu lieu au Louvre-Lens en 2018 et Γ  laquelle il a participΓ© par le prΓͺt de tapis exceptionnels. J’avais alors Γ©tΓ© impressionnΓ©e par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquΓ© le dΓ©but d’une collaboration riche et fructueuse. Elle a notamment permis au musΓ©e du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur Γ©quivalent dans les musΓ©es occidentaux. Ce que j’apprΓ©cie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son mΓ©tier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France πŸ‡«πŸ‡·

 

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