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π——π—”π—§π—˜π—— π—«π—«π—Ÿ π— π—”π—Ÿπ—”π—¬π—˜π—₯ π—£π—”π—Ÿπ—”π—–π—˜ 𝗖𝗔π—₯π—£π—˜π—§

π——π—”π—§π—˜π—— π—«π—«π—Ÿ π— π—”π—Ÿπ—”π—¬π—˜π—₯ π—£π—”π—Ÿπ—”π—–π—˜ 𝗖𝗔π—₯π—£π—˜π—§

  • Number 2117

  • Type Village

  • Material Wool

  • Style Medallion

  • Origin Malayer

  • Size 592 x 345

  • Age 1280

Story

6️⃣ βœ–οΈ 3️⃣.5️⃣ meters
Dated 1280 Hijri 🟰 1863

A theatrically intriguing ivory border framing a midnight blue field of intoxicating dramatic action and colors, with oversized Samavari medals.

An unforgettable, ambitious masterpiece of antique Persian woven art that will make a stunning statement in the right interior.

Malayers rarely come in big sizes. When they do it’s almost always in Kelleh format eg 5 x 2 meters. Not here. This belle has tremendously well calculated architecture and scope, blending beautiful colors with a deep understanding of balance & spacing. The oversized medallions float comfortably in the vast expanse of open field negative space, intermittently punctuated by Gol Farang flower bouquets. The border is fire. And it’s 162 years oldβ€” or young? Perfect.

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I first met Dr. Maktabi as a lecturer on carpet history and was captivated by his passion for the subject. Only later I knew him as a dealer, though even in our financial transactions, Hadi has been a gentle guide and friend. He has understood my taste and interests and made wonderful suggestions, but never in a pushy way. That is to say I have enjoyed working with him on several levels and wish to continue our excellent relations and dealings far into the future. A. Harvey Pincis, formerly Dar Al Athar Al Islamiyyah Museum (Kuwait), Latvia πŸ‡±πŸ‡»

 

 

J’ai fait la connaissance de Hadi lors de la prΓ©paration de l’exposition Β« L’Empire des roses, chefs-d’œuvre de l’art persan du 19Γ¨me siΓ¨cle Β» qui a eu lieu au Louvre-Lens en 2018 et Γ  laquelle il a participΓ© par le prΓͺt de tapis exceptionnels. J’avais alors Γ©tΓ© impressionnΓ©e par ses connaissances et sa passion pour les tapis orientaux. Cette rencontre a marquΓ© le dΓ©but d’une collaboration riche et fructueuse. Elle a notamment permis au musΓ©e du quai Branly-Jacques Chirac de voir ses collections iraniennes s’enrichir de plusieurs tapis et tentures dont certains n’ont pas leur Γ©quivalent dans les musΓ©es occidentaux. Ce que j’apprΓ©cie chez Hadi ? C’est son professionnalisme, son dynamisme et l’engouement qu’il a pour son mΓ©tier ! Hana Chidiac, Curator of the Middle East Department at the Musee Quai Branly - Jacques Chirac, Paris, France πŸ‡«πŸ‡·

 

You can't only be a customer of Hadi Maktabi. While his main purpose is rug dealing, he starts with story telling and ends with history selling. That's what I call high-end art curating and closing it all with an entertaining friendship. George El Hani, CEO Levica, Lebanon πŸ‡±πŸ‡§

 

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